Josh Sticklin plays the detective who attempts to get to the bottom of the story, aided by clues provided by the doorman (in this performance played by Mark A. Fine (in this performance played by Daniel Lyons) and a young couple, Rick and Elizabeth (Matthew Sparacino and Kathleen Mason).
Things become more complex when others come forward as having been taken in by Paul-first, friends of the Kittredges, Kitty and Larkin (Karen Novack and Jon Townson), then people whose connections are not immediately apparent: Dr. The next morning, the Kittredges are in for a nasty shock when they discover some things about Paul they wish they had not…and so begins a desperate search for answers that they may never find. Their two-sided Kandinsky painting is set at the back of the stage, with the ability to rotate, “for variety.” But their comfortable world is called into question with the appearance of “Paul” (Ryan Swain), who appears after having just been stabbed in a mugging.The trio is enthralled by Paul, who with great earnestness talks about his thesis on The Catcher in the Rye and growing up with his father, Sidney Poitier. Rhea and Ficca set up the comical beginnings in their attempts to make a two-million-dollar deal with South African business associate Geoffrey (Kevin Adams). Director Brandon McCoy proves himself to be a master storyteller, making the shifts between breaking the fourth wall and building it up again so smooth as to maintain the fluidity of the play. The story is told directly to the audience, first by the flustered Ouisa and Flan Kittredge (Susan Marie Rhea and Ray Ficca). Susan Marie Rhea, Ray Ficca, and Kevin Adams. But this play, aided by a brilliant production by The Keegan Theatre, tells us time and time again not to get too comfortable with our expectations of this work because we are sure to be surprised again. to a “gondolier in Venice.” John Guare’s play, named after this theory, has all the makings of a farce playing on this idea: a rich, middle-aged, overexcited white couple are fascinated by the stories of a young black man, supposedly a friend of their children from college, who turns out not to be who he says he is. Both characters want to believe in the power of love, but are undone, in different ways, by romance: Rick’s with a man he cannot know, and Paul’s with himself, the person he dreams of being but can never realize.We’ve all heard of this idea before-that there are six degrees of separation between everyone in the universe, from the president of the U.S.
While the director, Trip Cullman, manages the relatively large cast with clarity and power, nothing feels inspired except for Hawkins’s performance and Peter Mark Kendall’s, as Rick, one of Paul’s lovers and victims. When Paul (Corey Hawkins) enters their home, saying he’s the son of Sidney Poitier, the couple begin to feel things they haven’t felt for years, like the excitement that comes with letting difference into their lives.
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A wealthy Manhattan couple, Ouisa (Allison Janney, tall and nimble) and Flan (John Benjamin Hickey), live to succeed while forgetting how to love. The playwright John Guare has written at least three masterpieces, and this is one, a brilliant investigation into the lies we tell ourselves-and our children-without admitting how much we need to believe them to get through.